==Air==
Nightingale nodded. 'It looks as if Miss Lin's still asleep,' said Snowgoose.
Effervescence, acrylic on linen, 26" x 50" © 2000
Air, acrylic on canvas, 40"x30" © 1988
Air II, acrylic on canvas, 40"x30" © 1988 (private collection)
Air III, acrylic on canvas, 40"x30" © 1990
Bubble Bath, acrylic on canvas, 20"x40" © 1988 (private collection)
Line, acrylic on canvas, 9"x12" © 1989 (private collection)
The Great Divide, acrylic on linen, 26" x 26" © 1997
Cane, acrylic, oil crayon, oil & prismacolor on black board, 23"x17 1/2" © 1999
Clouds, acrylic on canvas, 2 (36"x20") © 1988
Space Graphics, latex on unprimed linen, 26"x50" © 1998 (private collection)
Falling Vacuums, acrylic on canvas, 24"x28" © 1998
Stained Glass, acrylic on canvas, 34"x32" © 1989 (private collection)
Snow Bird, oil on cork, 24" x 36" © 2001 (private collection)
The Story of the Stone, Cao Xueqin [trans;David Hawkes]
more. . .
As can be seen with Air I,
Air II and Air III,
one of my early ideas was to take a shape, in this case a circle, and overlap it upon
itself. Among other things, I was interested in representing the ways in which a
limited idea or a seemingly static situation, depicted by any given shape, can give
rise to and is indeed an essential ingredient in the creation of unlimited, dynamic
potential. To show this, I put the "limitation," the shape, into relation itself
thus using that shape and whatever symbolic meaning it may have as a means to break
itself apart. What happens simultaneously is that this very shape can be seen as
re-emerging from itself. The result is a self-containing dynamic of creation/decreation
(destruction) which, on one level, invites the viewer to engage in the
construction/deconstructions of symbolic meaning. On what may be a deeper level, I hope
to show a fusion between the static and dynamic aspects of time. Linear time itself
or even linear cycles of time can be interpreted as "limitations," here represented
by the circle, that can be used to explode themselves. Insofar as the viewer perceives
the destruction and re-creation of the circle shape to be simultaneous, coinciding,
and integral occurrences, he or she can perceive the time element involved as being
non-linear; the aim is to catalyze in the viewer a non-linear, rhythmic sense of time
culminating in a sense of time-out-of-time. The result is another paradox: a cause and
effect situation catapulting one beyond cause and effect.
more. . .
paintings by title |
TangleWave |
paintings by theme
English |
Français |
Español |
Deutsch
temple@tanglewave.com