Wild Goose (Novel Excerpt) |
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Michelle I knew John would be angry that I had come to the Milun Motel alone, but Nicole had agreed to drop me off. I didn't drive myself because I wanted to make it seem like I was at home. The Milun was starting to feel weird, like a lost connection or a misplaced letter. In the Lais, Milun, two lovers hide their messages to one another beneath a swan's feathers. I wondered about the origins of the quill. Outside the static moonlight was hitting vacancies, and I was finding it difficult to believe in happy endings. It hadn't been so long since John and I had crunched across this same motel lot to his taxi. It had been just John and I looking around. But when we got into the car, I thought I saw Tim in the rear view mirror. I wanted to adjust it as though it were a lens. It seemed like Tim was just standing there, but I couldn't be sure. My mind felt like it was being put on hold and less than whole. When I looked again, it seemed like he had beat a hasty retreat. He died in that vacuum, fleeing his own reflections, spaces overlapping so briefly and seemingly without wisdom. Maybe he thought it would kill him, even in soft focus. The mind takes certain turns, and at that moment, waiting for John in the Milun alone, I was certain it had been Tim in the mirror. Tim who approaches love like a realtor. Tim who sees his project as coercion and not simply a smooth camaraderie. I had acquired the habit of repeating everything he said-- before it became adulterated-- in the manner of doing research. He liked to say I was his double, but that was just playing for fun. What would have happened were I truly his clone? He could have been my true love if part of me were all of me, if I were at heart a fanatic, if I were someone else. But I'm not a purist. People say I am redundant, but I never think the same thing twice. There are slight reversals and rhythmic variations, almost like the Lais, almost like a course in structural anthropology. The calculus is cruel in its regression. One hundred times a day, my mind dies. Lines fall out of order and rearrange themselves. I try using principles to replace thinking. In an attempt to establish the proper relationship between the two, I follow twisted courses, facing the ground, skipping letters. Are these principles inherent or are they descriptive? Are they out there to be good? They seem to work, but no one has yet been able to explain how they help. These derivations fall under the same constraints as language, riding that beast, yielding circuitous answers. But I get results and that may be my scientific bent. Crystal surfaces create an architecture of surfaces, and so I seem complex. Only at the edge, inundated with redundancy, can I glimpse something else: a barracks of ghosts scratching. A bed is in the next room. Realizing I was still at the Milun, I thought I should take a nap. Instead I spent hours repeating John's name, and every time it had a different sound. It circled aroundme still, dropping feathers. When I woke to see him standing in the window, it felt like an incantation. After all that had happened, it was strange to be back in that place and to see him standing there. If I were normal, I would have been startled. As it was, I felt like I had made it happen. Discarding vanity, I thought: the ideal choice for lighting is irrelevant. I opened the door. An arrangement had been unraveled: I had almost thought I would be standing there alone. When his wary voice said, "Hello," I felt a certain pressure. I thought Tim was a coward. He wouldn't show up himself. He wanted concealed decisions. He wanted something unconcealed. He wanted something else. Maybe I had thought I would die in that room. Maybe John had thought so too. I had a copy of my first manuscript with me. It was a notably honest attempt, a clever piece of detective work, though oddly at variance with the facts. I said, "I was almost expecting someone else." John said, "Who? Our friend Mick?" "The name sounds so familiar." I watched my breath catch the hint of newly falling snow. "It has its various triumphs, its typical arguments and sounds," he laughed, perhaps thinking of certain escapades with Sharon. "Making the arts available everywhere," I had to maintain my ground, "but there is too much missing information, and besides," I added, "he is a philistine, a clown." I felt like I was an observer rather than a participant in this conversation. I was hearing weird voices and unfinished sounds. John took the key and told me he was going to check out. Feeling a bit off balance, I followed him, tracing his footprints exactly. He laughed and grabbed my hand. I said, "Keep it to yourself." It hit me, I still hadn't seen the taxi. Maybe that was part of the night's surreal quality. But it was hidden from the street, behind the manager's office. It seemed to be itself and yet I was thinking of it abstractly even while interrupted by strange speeches from another part of my head. Once I climbed inside, it felt grounded, persistent and familiar, though filled with too much that hadn't been said. Outside a street lamp was blinking, making its way towards dead.
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